How to talk to anyone download pdf






















Now How to Talk to Anyone reveals the secrets of successful communication. With Leil Lowndes's ninety-two easy and effective techniques, you will discover how to become a master communicator in life, love, and business. Combining the latest research with Leil's trademark wit and warm-hearted observations of human foibles, How to Talk to Anyone shows you how to: Make an unforgettable entrance and meet the people you want to meet Sound like an insider in any crowd, no matter how little you have in common Use body language to captivate audiences of all sizes Work a party the way a politician works a room Always come across confident, credible, and charismatic wherever you are.

This one is completely different! Have you ever admired those successful people who seem to have it all? You see them chatting confidently at parties and being listened to in business meetings. They're the ones with the best jobs, nicest parties, and most interesting friends.

But wait a minute. They're not necessarily smarter than you or even better looking. What it comes down to is their more skillful way of communicating with other people. Now How to Talk to Anyone reveals the secrets of successful communication. With Leil Lowndes's ninety-two easy and effective techniques, you will discover how to become a master communicator in life, love, and business.

Combining the latest research with Leil's trademark wit and warm-hearted observations of human foibles, How to Talk to Anyone shows you how to: Make an unforgettable entrance and meet the people you want to meet Sound like an insider in any crowd, no matter how little you have in common Use body language to captivate audiences of all sizes Work a party the way a politician works a room Always come across confident, credible, and charismatic wherever you are.

Some find talking to others uncomfortable, difficult, or intimidating. Here is a way to overcome these communication challenges.

Written by Larry King, this guide provides simple and practical advice to help make communication easier, more successful, and even more enjoyable.

Anecdotes from a life spent talking--on television, radio, and in person,--add to the fun and value of the book. Learn what famous talkers say and how the way they say it makes them so successful. Talk to anyone, anytime, about anything — with confidence. How to Talk to Absolutely Anyone is your personal handbook for stepping up your communication game.

Part confidence coach and part social manual, this book reveals the reasons behind your reserve and offers real, practical ways to break through the barriers and make a connection. Whether you fear judgement and rejection or just don't know what to say, these simple exercises will equip you with a gold mine of social tools to get you through any situation.

This new second edition has been updated to include the complete day Zero to Hero Personal Confidence Course, to help you build your skills and increase your chances of getting what you want out of any conversation. Working step-by-step, you'll learn how to approach strangers, strike up a conversation and exit gracefully; by first changing your outlook, you develop the ability to navigate even tricky situations with confidence and ease. Conversation skills affect more than your social life — they can impact your career as well.

In removing your social hesitance, you open up a whole new world of effective communication with customers and colleagues, and begin building the relationships that get you closer to your goals. This book provides real-world techniques to help you get better and better every day, enabling you to: Overcome your fear of rejection. Strike up a conversation with anyone, anywhere.

Open up to make real connections and build strong rapport. Carry your confidence into networking, sales and more. Leave the days of awkwardness behind you. Stop running away from uncomfortable interactions and start getting comfortable instead.

Whether you need to close the deal, build contacts or just make small talk at a party, How to Talk to Absolutely Anyone helps you build the confidence and skills you need to talk your way to success. Feeling incapable of chatting to people is a horrific curse and one which can effect every part of your life. Don't let it ruin your life.

Overcoming shyness, social anxiety and low self-confidence fast. Get on with your life! Jennifer Alisons' "How To Talk To Anyone" is a much praised international bestseller, thanks to its practical and easy to implement advice. You do not need to become a Doctor and learn endless and often useless medical jargon to become a great conversationalist or know to deal with difficult situations in your life. You just need good solid advice you can implement into your daily life immediately with ease.

Reveals the most appropiate, provocative, and specific questions to ask members of specific groups, such as ballroom dancers, cosmetic surgeons, and tennis players, in order to communicate effectively. Are you always nervous and awkward when surrounded by people? Do you find it difficult interacting with strangers and making meaningful conversations? Some men felt hostile when stared at too long by another man.

Other men felt threatened. Some few even suspected their partner was more interested than he should be and wanted to slug him. When you look intently at someone, it increases their heartbeat and shoots an adrenalinelike substance gushing through their veins.

And when you consciously increase your eye contact, even during normal business or social interac- tion, people will feel they have captivated you. Now gentlemen: when talking to men, you, too, can use Sticky Eyes. Just make them a little less sticky when discussing personal matters with other men, lest your listener feel threatened or mis- interpret your intentions.

It broadcasts a visceral message of comprehension and respect. I have a friend, Sammy, a salesman who unwittingly comes across as an arrogant chap.

Once while we were having dinner together in a restaurant, I told him about the Sticky Eyes technique. I guess he took it to heart. When the waiter came over, Sammy, uncharacteristically, instead of bluntly blurting out his order with his nose in the menu, looked at the waiter. He came across as a sensitive and caring man, and all it took was two extra sec- onds of eye contact.

I saw the effect it had on the waiter, too. We received exceptionally gracious service the rest of the evening. With women, I make my eyes real sticky and with men slightly sticky. Like a potent medi- cine that has the power to kill or cure, the next eye-contact tech- nique has the potential to captivate or annihilate. Police investigators use Epoxy Eyes to intimidate suspected criminals. And clever Romeos use Epoxy Eyes to make women fall in love with them. If romance is your goal, Epoxy Eyes is a proven aphrodisiac.

The Epoxy Eyes technique takes at least three people to pull off—you, your target, and one other person. However, the Epoxy Eyes technique suggests you concentrate on the listener—your target—rather than the speaker. Attorneys, bosses, police investigators, psychologists, and others 14 Copyright by Leil Lowndes.

But because Epoxy Eyes puts you in a position of evaluating or judging someone else, you must be careful. Technique 3 Epoxy Eyes This brazen technique packs a powerful punch.

Watch your target person even when someone else is talking. No matter who is speaking, keep looking at the man or woman you want to impact. Sometimes using full Epoxy Eyes is too potent, so here is a gentler, yet effective, form. This way Mr. Target still feels you are intrigued by his or her reactions, yet there is relief from the intensity. Since this is the hormone detected in the human body during erotic excitement, intense eye contact can be a turn-on.

The lady interprets her nervous reaction to your untoward gaze as budding infatuation. If she does not like you, however, your Epoxy Eyes is downright obnoxious. Never use Epoxy Eyes on strangers in public settings or you could get arrested! Rather it is to give you the cachet of a real big Somebody the moment people lay eyes on you. To that end, we now explore the most important technique to make you look like a very important person.

When the doctor smacks your knee with that nasty little ham- mer, your foot jerks forward. Thus the phrase knee-jerk reaction. Your body has another instinctive reaction. When a big jolt of hap- piness hits your heart and you feel like a winner, your head jerks up automatically and you throw your shoulders back. A smile frames your lips and softens your eyes. This is the look winners have constantly. They stand with assurance. They smile softly with pride. No doubt about it—good posture symbolizes that you are a man or woman who is used to being on top.

We are a nation of slouchers. We need a technique more stern than teach- ers and more persuasive than parents to make us stand like a Somebody. One false move, one slump of the shoulders, one hangdog look, can mean curtains for the high-wire acrobat. When seven men and women raced into the center ring, the crowd rose as though they were all joined at the hips. They cheered with one thunderous voice. Mama pressed her lips against my ear and reverently whispered these were the Great Wallen- das, the only troupe in the world to perform the seven-person pyramid without a net.

In an instant, the crowd became hushed. Not a cough or a soda slurp was heard in the big top as Karl and Herman Wallenda shouted cues in German to their trusting relatives. The family meticulously and majestically ascended into the position of a human pyramid.

They then balanced precariously on a thin wire hundreds of feet above the hard dirt with no net between them and sudden death. The vision was unforgettable. To me, equally unforgettable was the beauty and grace of the seven Wallendas racing into the center of the big top to take their bows.

Here is a visualization technique to get your body looking like a winner who is in the habit of feeling that pride, success, and joy of being alive. Soon you will dart into the center ring to captivate the crowd with the precision and balance of your body. It is swinging just an inch higher than your head.

As you ascend high above the gasping crowd, your body is stretched into perfect align- ment—head high, shoulders back, torso out of hips, feet weight- less. At the zenith of the tent, you spin like a graceful top to the amazement and admiration of the crowd craning their necks to watch you. Now you look like a Somebody.

One day, to test Hang by Your Teeth, I decided to count how many times I walked through a doorway: sixty times, even at home. It adds up. Visualize anything sixty times a day and it becomes a habit! You now have all the basics Bob the artist needs to portray you as a big winner. When you hang by your teeth, every muscle is stretched into perfect posture position. Use the next two techniques to make him or her feel like a million. Because we all silently ask that question.

Do they look at us? Do they smile? Do they lean toward us? Do they somehow recognize how wonderful and special we are? We like those people. They have good taste. The cretins! But we do have eyes that narrow or widen. Attorneys conducting voir dire are exquisitely aware of this.

They pay close attention to your instinctive body reactions. They check out your hands. They scrutinize your 21 Copyright by Leil Lowndes.

An interesting aside: trial lawyers often choose women to do this twitch-and-turn spying job because, traditionally, females are sharper observers of subtle body cues than males. During the summation by the prosecu- tion, Judge Hoffman leaned forward, which, accused Kuntsler, sent a message to the jury of attention and interest. During his defense summation, complained Kuntsler, Judge Hoffman leaned back, sending the jury a subliminal message of disinterest.

I really like you. However, when little Johnny sees Daddy come home, he runs up to him, he smiles, his eyes get wide, and he opens his arms for a hug. When forty-year-old Johnny is feeling timid, he slumps and folds his arms in front of his chest.

When he wants to reject a salesman or business colleague, he turns away and closes him off with a myriad of body signals. However, when welcoming his loved one home after an absence, big Johnny opens his body to her like a giant daffodil spreading its petals to the sun after a rainstorm. Treat People Like Big Babies Once I was at a corporate star-studded party with an attractive, recently divorced friend of mine.

Carla had been a copywriter with one of the leading advertising agencies which, like so many companies then, had downsized. My girlfriend was both out of work and out of a relationship. At this particular party, the pickings for Carla were good, both personally and professionally.

She sometimes graced the tentatively courting male with a quick smile over her shoulder. Carla turned toward him. During our chat, corporate beasts continued to stalk Carla with their eyes and she continued casting half smiles at them.

She was obviously disappointed none of them was making a further approach. I had to bite my tongue. Do you recall how you smiled that beautiful big smile of yours, turned toward him, and welcomed him into our grown-up conversation?

I want you to give the next man who smiles at you that same big smile you gave Willie. I want you to turn toward him just like you did then. Carla played her role to perfection. After a few moments, I excused myself. Neither noticed my departure because they were in animated conversation.

It is a skill that will help you win whatever your heart desires from whatever type of beasts you encounter in the social or corporate jungle. The instant the two of you are introduced, reward your new acquaintance. Give the warm smile, the total-body turn, and the undivided attention you would give a tiny tyke who crawled up to your feet, turned a precious face up to yours, and beamed a big toothless grin.

The secret to mak- ing people like you is showing how much you like them! Your body is a twenty-four-hour broadcasting station reveal- ing to anyone within eyeshot precisely how you feel at any given moment. Even if your Hang by Your Teeth posture is gaining their respect, your Flooding Smile and The Big-Baby Pivot are making them feel special, and your Sticky Eyes are capturing their hearts and minds, the rest of your body can reveal any incongruence.

Unfortunately, when meeting someone, our brains are in over- drive. Our brains become lean. Others are frantically sizing up the situation.

And hungry. So we think too much instead of respond- 27 Copyright by Leil Lowndes. Such actions are dangerous to impending friendship, love, or commerce. We need a technique to ensure every shot aims right at the heart of our subject. We need to trick our bod- ies into reacting perfectly.

When we see someone we love or feel com- pletely comfortable with, we respond warmly from head to toe without a thought. Our lips part happily. We step closer. Our arms reach out.

Our eyes become soft and wide. Even our palms turn up and our bodies turn fully toward our dear friend. It guar- antees that everyone you encounter will feel your warmth.

But somehow you lost track of your friend. No information online. None of your mutual friends had a clue. Suddenly, WOW! What a surprise!

After all those years, the two of you are reunited. You are so happy. Obviously, you are not going to try to convince the new person that the two of you are really old friends. You will amaze yourself. You make this new person feel very special indeed.

Technique 6 Hello Old Friend When meeting someone, imagine he or she is an old friend an old customer, an old beloved, or someone else you had great affection for. How sad, the vicis- situdes of life tore you two asunder.

But, holy mack- erel, now the party the meeting, the convention has reunited you with your long-lost old friend! The joyful experience starts a remarkable chain reaction in your body from the subconscious softening of your eyebrows to the positioning of your toes—and everything between.

The group chats as though at a pleasant semiformal gathering. Later I ask them to introduce themselves to another stranger, imagining they are old friends. The difference is extraor- dinary.

The atmosphere is charged with good feeling. The air sparkles with happier, high-energy people. They are standing closer, laughing more sincerely, and reaching out to one another.

When you act as though you like someone, you start to really like them. When surveyed later, the results showed the volunteers wound up genuinely liking the subjects. The unsuspecting subjects were also surveyed. These respondents expressed much higher respect and affection for the volunteers who pretended they liked them. What it boils down to is love begets love, like begets like, respect begets respect. You now have all the basics to come across to everyone you meet as a Somebody, a friendly Somebody.

In addition to being liked, you want to appear credible, intel- ligent, and sure of yourself. Each of the next three techniques accomplishes one of those goals. Throughout the interview, the applicant had been sitting with her left leg crossed over her right.

Her hands were comfortably rest- ing in her lap and she was looking directly at me. Without swerving her eyes from mine, she told me.

I asked if she enjoyed her work. At one point, she put her hands up to her mouth. Nevertheless, it was enough, she said, that she wanted to pursue the subject further. I asked her about her goals for the future. I asked again if it was only the lack of growth opportunity that made her leave her pre- vious position.

Sure enough, once again, the woman shifted in her seat and momentarily broke eye contact. As she continued talking about her last job, she started rubbing her forearm. Just recently a colleague of mine was considering hiring an in- house booking agent. He looked right at me. He answered all my questions directly. Because of that, many large companies turn to the polygraph, or lie detector, a mechanical apparatus designed to detect if someone is lying.

How to Come Across as Percent Credible to Everyone 33 Banks, drugstores, and grocery stores rely heavily on it for pre- employment screening. Interest- ingly, the polygraph is not a lie detector at all! So is it accurate? Well, yes, often it is. Because when the average person tells a lie, he or she is emotionally aroused and bodily changes do take place.

Experienced or trained liars, however, can fool the polygraph. A young man telling an attractive woman about his business success might shift his weight. More problems arise out of the atmosphere. A politician giving a speech outdoors could blink excessively because the air is dusty. Professional communicators, alert to this hazard, consciously squelch any signs anyone could mistake for shiftiness.

They never put their hands on their faces. If you want to come across as an entirely credible Somebody, try to squelch all extraneous movement when your communica- tion counts. And above all, keep your paws away from your puss. Hans was owned by Herr von Osten, a Berliner, who had trained Hans to do simple arithmetic by tapping his right front hoof.

He became known as Clever Hans, the counting horse. Herr von Osten taught Hans to do more than just add. Soon the horse could subtract and divide. In time, Clever Hans even mastered the multiplication tables. The horse became quite a phe- nomenon. Without his owner uttering a single word, Hans could count out the size of his audience, tap the number wearing glasses, or respond to any counting question they asked him.

Finally, Hans achieved the ultimate ability that separates man from animal—language. By tapping out hoof beats for each letter, he answered any question about any- thing humans had read in a newspaper or heard on the radio. He could even answer common questions about history, geography, and human biology. Hans made headlines and was the main topic of discussion at dinner parties throughout Europe.

Whatever their sus- picions, it was obvious to all, Hans was a very smart horse. Com- pared to other horses, Hans was a Somebody. Cut to today. Why is it when you talk with certain individu- als you just know they are smarter than other people—that they are a Somebody?

Nevertheless, everybody knows. The day of the big test arrived. They were going to bar von Osten from the hall and put his horse to the test all alone. When the crowd was assembled, they told von Osten he must leave the auditorium. The surprised owner departed, and Hans was stranded in an auditorium with a suspicious and anxious audience. He tapped out the right answer! A second. He got it right! Then a third. Then the language questions followed. He got them all right! The commission was befuddled.

The critics were silenced. With a great outcry, they insisted on a new commission. Commission number two started the enquiry perfunctorily with a simple addition prob- lem.

Everyone expected Hans to quickly tap out the sum. But Hans remained dumb! The researchers revealed the truth to the waiting world. Can you guess what that was? Now can you guess? When Hans started tapping the answer to a question, the audience would show sub- tle signs of tension.

Then, when Hans reached the right number, they responded by an expulsion of breath or slight relaxation of muscles. Von Osten had trained Hans to stop tapping at that point and therefore appear to give the right answer.

Someone asks you to hit the mute button on the television so they can talk. You see performers smiling, scowling, smirking, squinting, and scores of other expressions. Are they nodding? Are their palms up? Are they frowning? Are they looking away? Are their knuck- les clenched? Are they rubbing their necks? Are they stepping back? Are their feet pointing toward the door? Maybe they want to get away. When they feel superior to you, they steeple their hands.

For the moment, all you need to do is tune to the silent channel being broadcast by the speaker. Then plan your moves accordingly. If a horse can do it, so can a human. People will say you pick up on everything. You never miss a trick. The athlete at the top of the piste, every muscle primed and poised, waiting for the gun to propel him to ultimate victory.

The athlete is visualizing. All athletes do it: divers, runners, jumpers, javelin throwers, lugers, swimmers, skaters, acrobats. They visualize their magic before performing it.

They hear the sound of the wind, the splash in the water, the whirr of the javelin, the thud of its landing. They smell the grass, the cement, the pool, the dust. Before they move a muscle, professional athletes watch the whole movie, which, of course, ends in their own victory. Sports psychologists tell us visualization is not just for top- level competitive athletes. Studies show mental rehearsal helps weekend athletes sharpen their golf, their tennis, their running, whatever their favorite activity.

Experts agree if you see the pic- tures, hear the sounds, and feel the movements of your body in your mind before you do the activity, the effect is powerful. Absolutely not! My friend Richard runs marathons. He was not badly injured. Nevertheless, his friends felt sorry for him because being laid up two weeks in bed would, naturally, knock him out of the big event.

The author has spent her career teaching people how to communicate for success. In her book How to Talk to Anyone Contemporary Books, October Lowndes offers 92 easy and effective sure-fire success techniques-- she takes the reader from first meeting all the way up to sophisticated techniques used by the big winners in life. How to Talk to Anyone , which is an update of her popular book, Talking the Winner's Way see the 5-star reviews of the latter is based on solid research about techniques that work!

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